The Perfect Day After the Nightmare Journey

Some authors love going on school visits and I’m one of them! The only thing I hate is the journey there. If it involves more than two hours of travel and includes the M25, I prefer to take the train. Now, as I live in the deep south (of Kent!) if I’m going anywhere north-ish of London I drive to my local station then have a train journey of an hour and five minutes to London, followed by the underground, then another train journey and finally a walk or a taxi. I know that sounds complicated but if all the trains are on time it works like a dream and I get to read or work or sleep or listen to music or whatever on the journeys, which I find so much better than driving, or worse, being stuck in a traffic jam!

When I did a school visit to Kingshott School in Hertfordshire recently, I felt a nice surge of relief that the first train was beautifully on time, and from then I was confident that nothing could go wrong because I’d allowed plenty of time to make the connection. But when I got to London Bridge underground I found myself faced with a wall of about 300 silent, still people, and an announcement repeated every thirty seconds apologising for holding customers at the ticket barriers and explaining that it was in order to prevent overcrowding on the platforms.

After ten minutes of standing like a statue with the silent throng and feeling horribly boxed in as others joined, my heart started banging away, and grew louder with every subsequent passing minute. I was going to miss my connection. But there was nothing I could do. It was too late to leave and get a taxi.

Finally the crowd began to move. I can’t say that it surged. It kind of shuffled with urgency. I was certain I’d never get through in the first ‘wave’ of people but I was lucky, they shut the barriers just behind me and I ran down the escalator. I then managed to squeeze myself and my big ‘author bag’ onto the already crowded underground train and started counting manically because this is the only way for me to avoid claustrophobia  or worry that the air’s going to run out!

Finally I got to Kings Cross and power walked what felt like miles to the mainline station and subsequently to platform zero – the furthest away – it had to be – and got on the train with one minute to spare. I was then picked up at the station at the other end and taken to the school. But what a horrible journey! Does anyone else get neurotic about being late?

Here are some snap shots of the perfect day that followed the nightmare journey!

 I like to bring drama into my presentations! Check out the boy at the front!

 Talking about some of the books

Comparing the front cover design on a foreign copy

 And of course, we always have to dance!

Ross Collins, Ross MacKenzie and Nicola Morgan have been named as this year’s winners of the 2011 SCOTTISH CHILDREN’S BOOK AWARDS. The winners were announced today during a special ceremony at Edinburgh’s Royal Lyceum Theatre, attended by 600 young people from all over Scotland.

SCOTTISH CHILDREN'S BOOK AWARDS

Ross, Ross and Nicola. Picture: Rob McDougall

Record numbers of children took part in the voting, with over 23,000 children from all over Scotland voting for their favourite books – a staggering 42% more than last year!

The winning books were Dear Vampa by Ross Collins (0-7 years), Zac and the Dream Pirates by Ross MacKenzie (8-11s), and Wasted by Nicola Morgan (12-16). Get them on your to-be-read pile at once, girls!

‘Everybody has a book in them…’

There’s a well-known expression: ‘Everybody has a book in them’ – something that I always end up saying when I’m asked how on earth you decide to write a book!

I say this because I came to be a writer in a round-about way, almost by accident really. I didn’t know I could be a writer, and I definitely didn’t know I had a book in me. I was 25, and in my first job as an editorial assistant (aka coffee-maker and chief photo-copier) at a well-known publishing house. They were looking for someone who could write horse books so I thought I would give it a go. And it turned out that I did have a book in me, or rather 7 books in me! Sandy Lane Stables came into being. Here’s the cover of the first one, A Horse for the Summer, when it was first published nearly 17 years ago!

Knowing about horses definitely helped me write these books – I was pony crazy as a girl as you can see from this photo (excuse the dodgy hair style!) – but I was also willing to have a go at anything. And so, there you are, my life’s work – the books I had in me weren’t about feelings or family or work, or any of the things you might have expected from a 25 year-old but about our four-legged friends. And yet I’ve always been very proud of these books. It felt quite an achievement to me to have sat down and written anything at all, let alone something that somebody wanted to publish! They’re still in print now (albeit with new covers). Here’s a picture of A Horse for the Summer as it is today. Very different from the earlier version, hey?

Last year saw me returning to the fold as  a writer, having worked for many years as an editor. Starting to write again made me see things in a new light – perhaps there was more than one book in me. My new series (a collaboration with Linda Chapman, the genius of series fiction) is about dinosaurs. I won’t go into too much detail here as they’re for young readers but you get the gist from the covers (about as unhorsey as you can get!)

It made me realise that you don’t actually need to write about what you know as long as you write about what you like. Which often means a whole load of research. Especially if you don’t know a thing about the subject! Dinosaur Land involved lots of background reading and multiple trips to the Natural History Museum. Everyone does indeed have a book in them – or 2, or 3 or 4. It’s just about having the courage to write it. The next series I am working on (another collaboration) is about something I know very little about. I feel a road trip coming on! Let me know the things you might like to write about – even if you know absolutely NOTHING about them at all!

Who wants to play?

I’ve just come back from a weekend away with twelve friends. We stayed in a HUGE house at Sennen Cove in Cornwall. I was in a happy mood because I had just finished a book I’d been working on alongside all my other books for twenty years. Seriously!

Beautiful Sennen Cove

‘Let’s play!’ I said.

We played charades until we ran out of books, plays and films; then we did illnesses, foods and things-you-can-buy-in-Tesco. It’s quite hard to mime chicken pox, sticky toffee pudding and Fairy liquitabs!

After that, we played sardines, which is like hide-and-seek except only one person hides and all the others count. When you find the hider, you hide with them, until everyone’s crammed into the cupboard under the stairs/cowering behind the curtains/ squashed behind the settee and only one person’s left seeking. The last one to find is the next one to hide.

We played one-word-story, where you go round the group saying one word each, to make up a story, then in-the-manner-of-the-word and wink murder – all my favourite games.

All you need to play wink murder

Someone said they were surprised I liked playing games so much… and that surprised me. I mean, writing is all about playing - you’re making things up and imagining all the time, just like the pretend-games you used to play when you were little.

I’m always on the look-out for new games to play. What are your favourites?

I name this book …

Nine days, peeps. NINE. DAYS. Until my next book comes out. WOOOOOO!

It’s sort of like having a baby, except a lot less painful and messy afterwards. After all the work of thinking up the story, creating the characters, writing it down, showing it to an editor, writing down again, showing it to her again, writing it down again, seeing the cover for the first time, and discovering it’s going to have pink page edges … After all that, the actual moment when the book is officially published is really exciting, of course.

But what does it actually mean?

I made the mistake of writing my first book at the height of Harry Potter fever, so I thought I knew. A new book coming out meant:

  • An embargo until midnight of the day before. Anyone caught looking at a copy before then would be sent to jail
  • Lots of people dressed up as characters from the book queuing up outside bookshops, Tesco, wherever, chatting to journalists about how stoked up they were
  • Me (the author) doing a reading at the Natural History Museum – or, in my case, the V&A, to a select few hundred fans
  • A TRAIN with its own PLATFORM at Kings Cross to carry me (the author) around the country, waving at people
  • More fun stuff

Actually, this turns out not to be strictly the case. Even the first couple of Harry Potters just kind of, you know, appeared. Magically. One day they weren’t there. The next day they were.

Unless you are latter-day JK Rowling, this is generally what happens:

  • The book sort of trickles out. Avid book readers who run their own book blogs get hold of it and let people know it’s coming and, occasionally, what they thought of it
  • If you’re lucky enough to have book blogger friends, you might ask them whether they’ll host you during a blog tour, for which you write posts about things that fascinated you when you were writing the story
  • You throw a launch party. If you are Jacqueline Wilson, this probably happens in Claridges with buckets of champagne. Most of us host our own, invite our friends and family, and have a lovely time. It feels sort of like a christening, except you end up signing several copies of the baby
  • You arrange to visit schools, libraries and maybe bookshops to talk about it
  • Your friends on Facebook send you happy face emoticons
  • On a day that may or may not be your official launch day, somebody at Amazon presses a switch and the bit that said ‘This title has not yet been released’ changes to ‘In stock’. You are now launched
  • Gradually, you start noticing your book on shelves in local bookshops. This is VERY EXCITING
  • Your publisher secretly checks the bestseller lists every week to see if you’ve made it in, but doesn’t tell you just in case you haven’t

No queues. No trains. No midnight book readings. Sigh.

Actually, I’ve discovered that the launch day isn’t the best day in a book’s life after all. The best day in a book’s life is when a fan comes up to you or emails you to tell you that your book has got her through a difficult period in her life, and the characters feel like her personal friends. It’s when the story isn’t yours any more – it’s become somebody else’s, because it means as much to them as it did to you while you were writing it. That doesn’t happen on launch day. It can happen years later, in fact. But that’s the day you really feel like celebrating in Claridges with buckets of champagne.

My new one’s called The Look, as you may know by now (I do go on about it). It looks like this:

Coming to a bookshop near you soon.

All happy face emoticons gratefully appreciated. (You can find me on Facebook. I’m SophiaBennettAuthor. :) )

Guest Bloggers: Talina and Rhianna

A very special guest blog for you this week! GHB has sneakily intercepted the postbags of two fantastical fictional girls, and we can exclusively share their letters…

Dear Rhianna,

I just read Sword of Light, the first book in your trilogy. Being a girl of rather special talents myself, I read it alongside a cookbook about how to make a Mediaeval  Midwinter Feast, like the one at the end of Sword of Light. (You see, I can read one book with each eye. It’s just one of the things that makes me special. I am also attracted to magic, and magic is attracted to me. Being absorbent of magic makes life more interesting. )

Talina

Talina

Of course I don’t have to tell you about life being interesting. Being born the daughter of King Arthur, and destined to rescue his sword Excalibur makes your life quite fascinating, not to mention dangerous, exciting, and –dare I say it – a bit, well, uncomfortable! I kept reading about how you had to dress in armour, sleep rough, even fight dragons, and I must say that it made me start to itch and scratch, stretch out my feet inside my soft silk stockings very enjoyably. How do you do it?

When I was reading Sword of Light, I was also curious to know more about your friends. I especially like Elphin, the Prince of Avalon. I love the way his eyes turn purple when something is not right, and the way he will strum his harp to make soothing magic even when his poor fingers are bleeding. He never boasts about being brave, but he is. I wanted to ask you – do you think he is also handsome? Exactly how much do you like him? Is it a problem that he is immortal?

And what about Cai? Frankly I could not understand why you put up with that silly little squire. He isn’t good at anything except getting himself and everyone else into trouble. Well, I suppose he is good in one scene at the end.

I would love to invite you and Elphin to come to Venice, where I would show you how to row a boat down a canal, how to climb a bell-tower and how to speak to cats. If I continue to mess up my spells, I may even turn you into a cat.

Do you think you could ever leave your English world and come to mine? I’m longing to meet you,

Love, Talina Molin. Read the rest of this entry

Danger, Danger!

Posted on
Picture the scene; you’re reading a brilliant book, with a plot that twists and turns more than Nemesis at Alton Towers. The main character is in mortal danger…you’re not sure if they’re going to make it…they’re stranded miles from anywhere and the villain is closing in…then they whip out their mobile and call their mum. Straight away, the tension deflates like a balloon with a puncture and suddenly, you’re not sure this is such a great book after all.
 

The kind of sign my characters ignore...

In the olden days, it used to be so much easier for writers to put their characters into dangerous situations. Look at The Famous Five, forever falling down abandoned mines and catching smugglers in the act. How much fun would it have been if Julian had pulled out a phone and called 999 instead of exploring murky tunnels? Or if instead of carrying on through the wardrobe into Narnia, Lucy had texted Edmund to come and find her?

That’s why writers are always looking for ways to escape from the tyranny of modern technology. Historical novels don’t have a problem, obviously; nor do fantasy stories.  Science-fiction brings different challenges but it’s easy to invent some future catastrophe to wipe out the network.  It’s writers of stories set in the modern day who have it worst. Most come up with ingenious plot devices to give reasons why mobile phones aren’t available to save their characters; in My So-Called Afterlife, Lucy is a ghost and can’t text the living (but I took pity on her and gave her a ghostly mobile to keep in touch with other ghosts). In Dark Life by Kat Falls, the characters spend a lot of time underwater, with no way to keep in touch. It gives the more dangerous scenes a real edge, especially when you know there’s no help around the corner.

The mobile phone you are calling is unavailable...

So, next time you’re reading a book and start wondering why the main character doesn’t just phone a friend, have pity on the poor tortured writer. They’ve probably spent ages thinking up reasons why the mobile isn’t working. Because let’s be honest, a flat battery isn’t impressing anyone.

An amazing 83,728 young people voted in this year’s Red House Children’s Book Award – and they chose Patrick Ness’s A Monster Calls as best book for older readers, and the overall winner. Liz Pichon’s The Brilliant World of Tom Gates picked up the younger readers prize, at a glittering ceremony as part of the Imagine Festival in London yesterday.

Did you vote? Were you there? If you’ve read one of the shortlisted books, let us know what you thought!

Anywhere But Here

I am trying to finish a book at the moment. And it is not fun. I have written almost all of the book – including all the dramatic big scenes and the grand finale – but now I have to link them all together. It’s really fiddly work, the writing equivalent of sewing together a jumper after you knit it. And I’m afraid to admit that I keep finding ways to put off doing it. Here are some of my procrastination methods….

1. Going for a walk to “clear my head”. 

I often actually watch this German soap when I'm meant to be working. And not just because of the title.

Going for a walk really does clear my head! In fact, when I’m stuck it’s sometimes the only thing that can get me writing again. A nice brisk walk down on the seafront near my house seems to get my brain back in gear, and I’ve come up with of my best ideas for solving tricky plot points down there. But somehow in recent weeks my walks keep getting longer and longer. Almost as if I was looking for an excuse to stay away from my desk….

2. Making cups of tea

It’s amazing how long a trip downstairs to the kitchen can take. Likewise how long a kettle can take to boil. Or a cup of tea to brew. You would also be amazed at how many cups of tea one small woman can drink in a day.

3. Seeing how my husband is doing

He works at home too (he’s a journalist like me).So it’s very easy to just wander down to the room where he’s working and say hello. And maybe ask if he feels like a cup of tea. Any excuse to stay away from my laptop…

4.Watching German soap operas online

I studied German at university and these days the only way I practice my Deutsch is by reading German glossy mags and, more shamefully, watching terrible German soap operas online. Even though I would never go down to the sitting room during the day and watch anything on my actual telly, somehow I don’t feel bad about sitting at my desk watching ridiculous over-the-top dramas about German fashion designers on my laptop. It’s as if, because it’s in a foreign language, that makes it proper work. Oh, who am I kidding? I might as well be downstairs watching America’s Next Top Model on Living.

So what about you? How do you avoid work? And please don’t tell me you’re all such hard workers that you never look for an excuse to do a bit of skiving…

Liar Liar Pants on Fire!

familyBe honest. Have you ever told a lie, or a little fib, to get out of doing something? ‘Cough, errrgh, I’ve… um… got this terrible sore throat and a raging temperature and a slightly broken leg… AND my whole family have come down with a bit of plague… um, so I think I’m probably too contagious to be able to…’ Or made up a story because you were lazy and couldn’t be bothered to do something? ‘Er, well, actually, my brother was hungry and he’d already emptied the fridge and all the cupboards, so he kind of  ate my homework… again!’

I have. I still do sometimes. (Shhhh, don’t tell anyone!)verity fibbs

The problem is that I’ve never been very good at fibbing (unlike my character Verity Fibbs who is brilliant at it). When I was younger I’d make up a lie – sometimes a pretty spectacular one – but when it came to delivering it I’d go red and stutter and totally blow it. It’s only now that I’m a grown-up that I realise, with horror, that my parents and my teachers probably saw right through those pathetic attempts at deception. Groan! More blushing.

I guess that’s the good thing about being an author. It’s sort of like being a professional liar. I can make up outrageous stories and get away with it. And nobody can see me sweating and grimacing and nervously chewing my hair.

Come on, spill the beans! What spectacular lies have you told? And did YOU get away with it?

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